“I don’t think I have ever had such a great friend.” “Jacques was a model of integrity and a man of immense generosity, especially toward young artists,” Mr. Auster stayed for a year, he said, writing most of the poems later included in his book “Unearth.” Dupin and his wife, Christine, often lent to struggling writers, political refugees and others. During a sojourn in Paris in the early 1970s, he said, he sought out the poet, who not only bought him dinner but also soon afterward gave him use of the guest room in his apartment, which Mr. Auster said he had been an ardent fan of Dupin’s poems since he stumblied on them at his local library as a young man. Dupin’s poetry “demands of us not so much a reading as an absorption.” “Uncompromisingly hermetic in attitude and rigorously concise in utterance,” Mr. Auster’s translation of “Fits and Starts: Selected Poems of Jacques Dupin” (1974) was among only a handful of collections to introduce his often difficult work to readers in the United States. Dupin, as well as one of his rare English translators. The American writer Paul Auster, author of “The New York Trilogy” and other novels and memoirs, was a protégé and friend of Mr. In 1966 he was a founder of L’Éphémère, an influential poetry quarterly whose other founders included André du Bouchet, Yves Bonnefoy and Paul Celan. Dupin’s poetry, beginning with his first collection in 1950, earned him a parallel rank among France’s postwar avant-garde writers. The American poet John Ashbery, another friend, translated a seminal monograph written by Dupin in 1961 about Giacometti, which was published in English in 2003. Bacon and Giacometti painted his portrait. More:Īs both a poet and an art dealer, he had a wide circle of friends. Another passing this week we'd be remiss to not note: The New York Times reports that Jacques Dupin, French art critic and poet, has died at 85 in his home in Paris.
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